As some of you will know, I spent the last six years working on my PhD thesis about the cultural, scientific, and political influence of Andrew Carnegie’s casts of the dinosaur Diplodocus carnegii (and one Diplodocus longus that Carnegie had nothing to do with) in the first decades of the twentieth century. I shall defend my thesis on Thursday, May 11th (yes, that’s next week). There are plans in motion to publish the book next year. If you’d like to be kept informed about those plans and the book, please leave your e-mail address here.
What is it about, this book? Well, to answer that all-too-obvious question I shall give a summary below.
Why Diplodocus?
Museums present their cultural treasures as tangible proof of historical events; robust sources of scientific knowledge and transparent cultural images for the public to identify with. Natural history museums show their fossil relics as incomplete but uncomplicated witnesses of life’s past.