In the early 1900s, zoological gardens throughout Europe began to incorporate images from extinct life to link it to extant nature. The most prominent of…
In the early 1900s, zoological gardens throughout Europe began to incorporate images from extinct life to link it to extant nature. The most prominent of…
When the new Berlin Aquarium opened on 18 August 1913, it had an important task to fulfill: emphasizing that the Berlin Zoo, of which it…
Sometimes it is made out that “alternative” facts are a new, or at least phenomenon, but anyone enversed in the history of science can probably easily rattle off a few well-chosen examples. Sometimes, however, the division between what is “real” and “imagined” isn’t quite so clear, as the history of the search for living dinosaurs reveals.1
A World Lost?
Sir Arthur Conan Doyle’s The Lost World (1912) is a strange but highly successful amalgam of adventure story and science novel, and probably his best-known work outside of the Sherlock Holmes canon. It has given rise to numerous film adaptations, including the one of the first appearances of ‘living’ dinosaurs on celluloid in 1925.
Doyle was likely inspired to write the novel after having spoken at a lunch at the Royal Society in 1910, in the presence of Robert Peary, who had just returned from his quest to discover the North Pole. In his talk, Doyle contemplated, in the light of the activities of Peary and others, whether there was any unknown part of the world left for writers of adventure stories to draw their inspiration from. Coupled with Doyle’s admiration for adventurists and his interest in paleontology, The Lost World was his answer to this question.2
This piece was originally part of my PhD dissertation but didn’t make it to my book American Dinosaur Abroad. A Cultural History of Carnegie’s Plaster Diplodocus (University of Pittsburgh Press, 2019) It’s a bit speculative and wanders off here and there, but I thought it interesting enough to reproduce here. ↩
Miller, Russell. 2008. The Adventures of Arthur Conan Doyle. A Biography. New York: St. Martin’s Press, 301f. ↩
The first 6 months of 1905 saw two prominent, celebrity-studded, and copiously publicized unveilings of full-size dinosaur exhibits. In February, the American Museum of Natural…
Yeah, I wrote that. It has been out for a while in fact, but I forgot to put it on the blog somehow. Below, I will try to tell a bit more about it. Also, my publishers, University of Pittsburgh Press, posted a Q&A with yours truly at the time of the presentation we did at the Carnegie Museum of Natural History in Pittsburgh. If you don’t need more information and want to order it right away (which I obviously wholeheartedly encourage), this is one place where you might do so.
Last week, I spent some time in the truly amazing Vienna Natural History Museum – more about that later. Tucked away in a staircase between the second and third floors is a small exhibit about the history of the museum that devotes a lot of space to the early history of the collection (and virtually none to those seven years after 1938 the Viennese would rather forget about). In one of these cases I found the little statue you see to the right, a plaster concoction from a Dr. Friedrich König (which may have been this guy, although I rather doubt it).
(This is a repost of a short piece I wrote for the Shells and Pebbles blog a while ago, but I thought it would not be out of place here and have adapted the text somewhat. In addition, it gives me the opportunity to show off Heilmann’s whole Iguanodon picture, above).
The Danish artist-cum-scientist Gerhard Heilmann, who became famous for his book The Origin of Birds, published a little-known, short piece about Iguanodon a few years later, in an issue of Othenio Abel’s journal Palaeobiologica, dedicated to the Belgian paleontologist Louis Dollo. In many ways, this Iguanodon is much more ‘old-fashioned’ than his dynamic restorations in The Origin of Birds. First, it is positioned much more vertically. Although its tail doesn’t rest on the ground in the way that, for example, Charles Knight reconstructed his bipedal dinosaurs, it is still an altogether more stodgy-looking affair. This is further enhanced by the fact that the animal now looks very iguana- (and therefore reptile-) like.
Parisians who visited a newsstand or book store in the spring of 1886 were confronted with the frightening prospect of a dinosaurian intrusion into their…